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The Social History of Smoking

George Latimer Apperson

Chapter 12:

And what more fitting emblem of peace could be chosen than the calumet, the proffered pipe? Tobacco, whatever its enemies may have said, or may yet say, is the friend of peace, the foe of strife, and the promoter of geniality and good fellowship. Mrs. Battle, whose serious energies were all given to the great game of whist, unbent her mind, we are told, over a book. Most men unbend over a pipe, even if the book is an accompaniment.

To the solitary man the well-seasoned tube is an invaluable companion. If he happen, once in a way, to have nothing special to do and plenty of time in which to do it, he naturally fills his pipe as he draws the easy-chair on to the hearthrug, and knows not that he is lonely. If he have a difficult problem to solve, he just as naturally attacks it over a pipe. It is true that as the smoke-wreaths ring themselves above his head, his mind may wander off into devious paths of reverie, and the problem be utterly forgotten. Well, that is, at least, something for which to be grateful, for the paths of reverie are the paths of pleasantness and peace, and problems can usually afford to wait.
"Over a pipe!" Why the words bring up innumerable pleasant associations. The angler, having caught the coveted prize, refills his pipe, and with the satisfied sense of duty done, as the rings curl upward he reviews the struggle and glows again with victory. At the end of any day's occupation, especially one of pleasurable toil—whether it be shooting or hunting, or walking or what not—what can be pleasanter than to let the mind meander through the course of the day's proceedings over a pipe?

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The scene is a tavern interior. Around the table are four men and a woman, while a boy approaches carrying two huge measures of ale. One man is smoking furiously, while on the table lie three other pipes—one for each man—and sundry pots and glasses. The woman is plainly a convivial soul; but there is no pipe for her, and such provision was no doubt unusual.

T here is direct evidence, too, besides the story in the first paragraph of this chapter, that women disliked the prevalence of smoking. In Marston's "Antonio and Mellinda," 1602, Rosaline, when asked by her uncle when she will marry, makes the spirited reply—"Faith, kind uncle, when men abandon jealousy, forsake taking of tobacco, and cease to wear their beards so rudely long. Oh, to have a husband with a mouth continually smoking, with a bush of furs on the ridge of his chin, readie still to flop into his foaming chops, 'tis more than most intolerable;" and similar indications of dislike to smoking could be quoted from other plays.
On the other hand, it is certain that from comparatively early in the seventeenth century there were to be found here and there women who smoked.

On the title-page of Middleton's comedy, "The Roaring Girle," 1611, is a picture of the heroine, Moll Cutpurse, in man's apparel, smoking a pipe, from which a great cloud of smoke is issuing.

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